Archive for August, 2008

PAUL VAN DYK@Arenele Romane,Bucharest,Romania,10/09/2008

Posted in Arenele, biography, Paul Van Dyk, Romane on 08/29/2008 by ys

Early career
Van Dyk grew up in East Berlin where he kept in touch with the world beyond the Berlin Wall by secretly listening to the popular but forbidden Western radio stations RIAS (Radio in the American Sector) and SFB and mixtapes occasionally smuggled into the country and copied among school friends.

Shortly before the fall of the Berlin Wall, van Dyk and his mother were given permission to leave East Germany and moved to Hamburg to live with his aunt. In 1990, van Dyk moved back to Berlin. His first appearance as a DJ was in the Tresor in March 1991. A couple more dates followed and he was soon given the chance to perform at Juergen Kramer’s famous Dubmission parties in the Turbine club, together with the highly popular young resident DJ Kid Paul. The shows were called Paul vs. Paul. His mixing style drew the attention of Cosmic Baby and the two collaborated as The Visions of Shiva, on “Perfect Day” (1992) on the renowned Berlin independent label MFS (Masterminded For Success) Records, run by English ex-patriat producer Mark Reeder and manager Torsten Jurk.

In February 1993, van Dyk and Kid Paul hosted an installment of the weekly three-hour “HR3 Clubnight” radio show perform for a nationwide audience on German radio. The second and final Visions of Shiva single “How Much Can You Take?” was released and van Dyk and Cosmic went their separate musical ways. By late summer, Paul released his first DJ-mix compilation “X-Mix-1 – the MFS Trip” and remixed Humate’s trance hymn “Love Stimulation”.

The growing popularity of the Dubmission parties forced a venues change, first to Cafe Moskau and then into the larger E-Werk where van Dyk began hosting regular MFS nights.

1994-2007

In 1994 Paul released “The Green Valley EP”, “Pump This Party” and “Emergency 911”. Meanwhile, MFS acquired many remixes for Paul and Reeder’s close friendship with artists such as New Order gave Paul the opportunity to mix the track “Spooky” from the Republic album. Persuaded by Reeder, he finally recorded his debut LP 45 RPM with Johnny Klimek and VOOV. Reeder also compiled the album’s running order and design, and chose the album’s title as a reflection of the 45 RPM speed typical for dance vinyl.

Reeder compiled Seven Ways which established van Dyk as a trance pioneer and was van Dyk’s first real success in Britain. Reeder had successfully convinced his old friend Rob Deacon (formerly of Volume) to license the album for the UK and his new Deviant label.

The singles “Forbidden Fruit” and “Beautiful Place” didn’t cause a great impact at first, but with the release of Seven Ways and “Words” appearing at the height of the British superclub phenomenon, van Dyk’s own material began to attract attention. “By the time they realised I was a German, it was too late!” van Dyk said.

In 1998, 45RPM was re-released in the UK. To mark the event, and in homage to the defunct E-Werk, Paul released a remix of “For An Angel”. Van Dyk took up a residency at Sheffield’s Gatecrasher and declared himself anti-drugs, which led to home-made “No E, Pure PvD” T-shirts, also a sly note to journalists that his surname contained no “E”.

Van Dyk left MFS Records and took a controlling share in the new label Vandit Records. In 2000, Paul flexed his skills with his melodic, dancefloor-friendly Out There And Back, which included the hit single “Tell Me Why (The Riddle)”, a collaboration with Saint Etienne. It also included the European hit We Are Alive, a remixed version of the Jennifer Brown song Alive. His first mix album The Politics of Dancing (2001) was followed by a world tour and a DVD release Global (2003) and the Mexican film “Zurdo”, for which van Dyk composed the soundtrack.

Reflections (2003) derived from van Dyk’s trips to India, was a more melancholy affair, and includes the single “Nothing But You”, a collaboration with Hemmstock & Jennings. It was nominated for a Grammy in the category of Best Electronic Album. The mix album The Politics of Dancing 2 (2005) was preceded by a single “The Other Side,” featuring Wayne jackson; a song dedicated to the victims, and their families, of the Sumatra-Andaman earthquake and the subsequent tsunami that struck Thailand on December 26, 2004.

2007–present: ‘In Between’

Paul van Dyk released his fifth studio album, In Between, worldwide on August 14, 2007. The album, which he created over a three-year period, debuted at number #115 on the Billboard 200 and #2 on the Billboard’s Top Electronic Albums and Top Heatseekers. The album also reached #16 on the Mexican Albums Chart and #5 on the Mexican International Chart. The album was released accompanied by a special edition limited to two thousand copies which included a mixed version of the full album, along with an eight-track bonus CD and an eight-page photo anthology.

The album was produced primarily by Paul van Dyk himself, and features a wide range of collaborators including David Byrne of Talking Heads, Jessica Sutta of the Pussycat Dolls, Ashley Tomberlin from Luminary, Alex M.O.R.P.H, Lo Fi Sugar, Rea Garvey of Reamonn, Ryan Merchant and Wayne jackson. It also features a vocal sample from Ben Lost from Probspot’s “Blows My Mind” on the song “Another Sunday”.

In June 2007, Paul van Dyk embarked on the worldwide “In Between Tour” to promote the album.

Paul van Dyk hosts a show on Radio Fritz every Saturday at 20:00 GMT. In his latest gigs, he blurs the line between DJ’ing and live performance engineering by utilizing two 17″ MacBook Pro laptops sporting Mainstage (Logic 8 Pro) and Ableton Live software on both, two MIDI keyboards, enabling a more fully-featured club experience more akin to a concert than a standard night out at a dance club. On-the-fly remixes, mashups and compositions are just some of the capabilities of this new performance method.

In May 2008, Paul van Dyk set up a remix competition with digital download network Beatport.com, inviting aspiring producers to remix his single ‘Far Away’ which appeared on his 2007 album ‘In Between’.

Personal life

He is married to Natascha van Dyk, who also appears on some of his releases (Vocals on “Together We Will Conquer”). The two were married in Cancún, Mexico.

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PAUL VAN DYK@Arenele Romane,Bucharest,Romania,10/09/2008

Posted in 09, 10, 2008, Arenele, biography, BUCHAREST, DYK, PAUL, Romane, ROMANIA, Van on 08/29/2008 by ys

Early career
Van Dyk grew up in East Berlin where he kept in touch with the world beyond the Berlin Wall by secretly listening to the popular but forbidden Western radio stations RIAS (Radio in the American Sector) and SFB and mixtapes occasionally smuggled into the country and copied among school friends.

Shortly before the fall of the Berlin Wall, van Dyk and his mother were given permission to leave East Germany and moved to Hamburg to live with his aunt. In 1990, van Dyk moved back to Berlin. His first appearance as a DJ was in the Tresor in March 1991. A couple more dates followed and he was soon given the chance to perform at Juergen Kramer’s famous Dubmission parties in the Turbine club, together with the highly popular young resident DJ Kid Paul. The shows were called Paul vs. Paul. His mixing style drew the attention of Cosmic Baby and the two collaborated as The Visions of Shiva, on “Perfect Day” (1992) on the renowned Berlin independent label MFS (Masterminded For Success) Records, run by English ex-patriat producer Mark Reeder and manager Torsten Jurk.

In February 1993, van Dyk and Kid Paul hosted an installment of the weekly three-hour “HR3 Clubnight” radio show perform for a nationwide audience on German radio. The second and final Visions of Shiva single “How Much Can You Take?” was released and van Dyk and Cosmic went their separate musical ways. By late summer, Paul released his first DJ-mix compilation “X-Mix-1 – the MFS Trip” and remixed Humate’s trance hymn “Love Stimulation”.

The growing popularity of the Dubmission parties forced a venues change, first to Cafe Moskau and then into the larger E-Werk where van Dyk began hosting regular MFS nights.

1994-2007

In 1994 Paul released “The Green Valley EP”, “Pump This Party” and “Emergency 911”. Meanwhile, MFS acquired many remixes for Paul and Reeder’s close friendship with artists such as New Order gave Paul the opportunity to mix the track “Spooky” from the Republic album. Persuaded by Reeder, he finally recorded his debut LP 45 RPM with Johnny Klimek and VOOV. Reeder also compiled the album’s running order and design, and chose the album’s title as a reflection of the 45 RPM speed typical for dance vinyl.

Reeder compiled Seven Ways which established van Dyk as a trance pioneer and was van Dyk’s first real success in Britain. Reeder had successfully convinced his old friend Rob Deacon (formerly of Volume) to license the album for the UK and his new Deviant label.

The singles “Forbidden Fruit” and “Beautiful Place” didn’t cause a great impact at first, but with the release of Seven Ways and “Words” appearing at the height of the British superclub phenomenon, van Dyk’s own material began to attract attention. “By the time they realised I was a German, it was too late!” van Dyk said.

In 1998, 45RPM was re-released in the UK. To mark the event, and in homage to the defunct E-Werk, Paul released a remix of “For An Angel”. Van Dyk took up a residency at Sheffield’s Gatecrasher and declared himself anti-drugs, which led to home-made “No E, Pure PvD” T-shirts, also a sly note to journalists that his surname contained no “E”.

Van Dyk left MFS Records and took a controlling share in the new label Vandit Records. In 2000, Paul flexed his skills with his melodic, dancefloor-friendly Out There And Back, which included the hit single “Tell Me Why (The Riddle)”, a collaboration with Saint Etienne. It also included the European hit We Are Alive, a remixed version of the Jennifer Brown song Alive. His first mix album The Politics of Dancing (2001) was followed by a world tour and a DVD release Global (2003) and the Mexican film “Zurdo”, for which van Dyk composed the soundtrack.

Reflections (2003) derived from van Dyk’s trips to India, was a more melancholy affair, and includes the single “Nothing But You”, a collaboration with Hemmstock & Jennings. It was nominated for a Grammy in the category of Best Electronic Album. The mix album The Politics of Dancing 2 (2005) was preceded by a single “The Other Side,” featuring Wayne jackson; a song dedicated to the victims, and their families, of the Sumatra-Andaman earthquake and the subsequent tsunami that struck Thailand on December 26, 2004.

2007–present: ‘In Between’

Paul van Dyk released his fifth studio album, In Between, worldwide on August 14, 2007. The album, which he created over a three-year period, debuted at number #115 on the Billboard 200 and #2 on the Billboard’s Top Electronic Albums and Top Heatseekers. The album also reached #16 on the Mexican Albums Chart and #5 on the Mexican International Chart. The album was released accompanied by a special edition limited to two thousand copies which included a mixed version of the full album, along with an eight-track bonus CD and an eight-page photo anthology.

The album was produced primarily by Paul van Dyk himself, and features a wide range of collaborators including David Byrne of Talking Heads, Jessica Sutta of the Pussycat Dolls, Ashley Tomberlin from Luminary, Alex M.O.R.P.H, Lo Fi Sugar, Rea Garvey of Reamonn, Ryan Merchant and Wayne jackson. It also features a vocal sample from Ben Lost from Probspot’s “Blows My Mind” on the song “Another Sunday”.

In June 2007, Paul van Dyk embarked on the worldwide “In Between Tour” to promote the album.

Paul van Dyk hosts a show on Radio Fritz every Saturday at 20:00 GMT. In his latest gigs, he blurs the line between DJ’ing and live performance engineering by utilizing two 17″ MacBook Pro laptops sporting Mainstage (Logic 8 Pro) and Ableton Live software on both, two MIDI keyboards, enabling a more fully-featured club experience more akin to a concert than a standard night out at a dance club. On-the-fly remixes, mashups and compositions are just some of the capabilities of this new performance method.

In May 2008, Paul van Dyk set up a remix competition with digital download network Beatport.com, inviting aspiring producers to remix his single ‘Far Away’ which appeared on his 2007 album ‘In Between’.

Personal life

He is married to Natascha van Dyk, who also appears on some of his releases (Vocals on “Together We Will Conquer”). The two were married in Cancún, Mexico.

James Lavelle @ Kristal Summer Club,Mamaia,Romania,16/08/2008

Posted in biography on 08/07/2008 by ys

James Lavelle (born 1974 in Oxford, England) is a DJ, electronic recording artist and record label boss. He is best known for producing work in the trip hop, breakbeat and house music genres.

Born into a family with a strong tradition of music, Lavelle first began by learning the cello with his granny in Oxford.

While attending Cherwell Upper School, Lavelle’s music career started at 15 when he ran block parties in Oxford. At only 18 he started the Mo’ Wax label, taking the name from his club night at the time, Mo’ Wax Please. Around the same time he started the That’s How It Is night with Gilles Peterson, which went on to become one of London’s longest running nights.

In 1996 Mo’ Wax released one of electronic music’s most celebrated albums, DJ Shadow’s seminal Endtroducing…… Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full time member of UNKLE. It featured collaborations with 3D of Massive Attack and Josh Homme of Queens of the Stone Age among others.

He is a long time resident at Fabric in London, mixing the inaugural Fabric Live mix album. He has also mixed two progressive house albums for Global Underground.

He has produced a number of film soundtracks, including Sexy Beast. Also an in demand remixer, he has reworked tracks by Garbage, The Verve, Beck and Massive Attack.

In an August 2006 interview with skinnymag.co.uk, Lavelle revealed that he’s working with Chriss Goss and Autolux on the follow up to Never, Never, Land, entitled War Stories. Of the album’s direction, he said “It’s rawer than ‘‘Psyence Fiction’’ and Never, Never, Land although it’s more in the vein of the traditional singer/songwriter. If the first record was UNKLE does hiphop and the second record was UNKLE does electronic, then this one is like UNKLE does rock, but it’ll hopefully still have its continuity.”

Of other forthcoming projects, he revealed “I’m working on a film with Darren Aronofsky at the moment. It’s a collaboration between me and Clint Mansell who did the score, it’s to remix the score and do a whole new DVD package, the film is unbelievable. I’m working on a documentary about Abel Ferrara as well.”

James Lavelle @ Kristal Summer Club,Mamaia,Romania,16/08/2008

Posted in biography, James Lavelle on 08/07/2008 by ys

James Lavelle (born 1974 in Oxford, England) is a DJ, electronic recording artist and record label boss. He is best known for producing work in the trip hop, breakbeat and house music genres.

Born into a family with a strong tradition of music, Lavelle first began by learning the cello with his granny in Oxford.

While attending Cherwell Upper School, Lavelle’s music career started at 15 when he ran block parties in Oxford. At only 18 he started the Mo’ Wax label, taking the name from his club night at the time, Mo’ Wax Please. Around the same time he started the That’s How It Is night with Gilles Peterson, which went on to become one of London’s longest running nights.

In 1996 Mo’ Wax released one of electronic music’s most celebrated albums, DJ Shadow’s seminal Endtroducing…… Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full time member of UNKLE. It featured collaborations with 3D of Massive Attack and Josh Homme of Queens of the Stone Age among others.

He is a long time resident at Fabric in London, mixing the inaugural Fabric Live mix album. He has also mixed two progressive house albums for Global Underground.

He has produced a number of film soundtracks, including Sexy Beast. Also an in demand remixer, he has reworked tracks by Garbage, The Verve, Beck and Massive Attack.

In an August 2006 interview with skinnymag.co.uk, Lavelle revealed that he’s working with Chriss Goss and Autolux on the follow up to Never, Never, Land, entitled War Stories. Of the album’s direction, he said “It’s rawer than ‘‘Psyence Fiction’’ and Never, Never, Land although it’s more in the vein of the traditional singer/songwriter. If the first record was UNKLE does hiphop and the second record was UNKLE does electronic, then this one is like UNKLE does rock, but it’ll hopefully still have its continuity.”

Of other forthcoming projects, he revealed “I’m working on a film with Darren Aronofsky at the moment. It’s a collaboration between me and Clint Mansell who did the score, it’s to remix the score and do a whole new DVD package, the film is unbelievable. I’m working on a documentary about Abel Ferrara as well.”

James Lavelle @ Kristal Summer Club,Mamaia,Romania,16/08/2008

Posted in 08, 16, 2008, biography, Kristal Summer Club, MAMAIA, ROMANIA on 08/07/2008 by ys

James Lavelle (born 1974 in Oxford, England) is a DJ, electronic recording artist and record label boss. He is best known for producing work in the trip hop, breakbeat and house music genres.

Born into a family with a strong tradition of music, Lavelle first began by learning the cello with his granny in Oxford.

While attending Cherwell Upper School, Lavelle’s music career started at 15 when he ran block parties in Oxford. At only 18 he started the Mo’ Wax label, taking the name from his club night at the time, Mo’ Wax Please. Around the same time he started the That’s How It Is night with Gilles Peterson, which went on to become one of London’s longest running nights.

In 1996 Mo’ Wax released one of electronic music’s most celebrated albums, DJ Shadow’s seminal Endtroducing…… Soon after this Lavelle started work on an album with DJ Shadow under the name UNKLE. The resulting release Psyence Fiction featured collaborations with Richard Ashcroft, Mike D, Badly Drawn Boy and Thom Yorke. In 2003, he released a follow up to Psyence Fiction, titled Never, Never, Land, though this album saw DJ Shadow replaced by Richard File as the second full time member of UNKLE. It featured collaborations with 3D of Massive Attack and Josh Homme of Queens of the Stone Age among others.

He is a long time resident at Fabric in London, mixing the inaugural Fabric Live mix album. He has also mixed two progressive house albums for Global Underground.

He has produced a number of film soundtracks, including Sexy Beast. Also an in demand remixer, he has reworked tracks by Garbage, The Verve, Beck and Massive Attack.

In an August 2006 interview with skinnymag.co.uk, Lavelle revealed that he’s working with Chriss Goss and Autolux on the follow up to Never, Never, Land, entitled War Stories. Of the album’s direction, he said “It’s rawer than ‘‘Psyence Fiction’’ and Never, Never, Land although it’s more in the vein of the traditional singer/songwriter. If the first record was UNKLE does hiphop and the second record was UNKLE does electronic, then this one is like UNKLE does rock, but it’ll hopefully still have its continuity.”

Of other forthcoming projects, he revealed “I’m working on a film with Darren Aronofsky at the moment. It’s a collaboration between me and Clint Mansell who did the score, it’s to remix the score and do a whole new DVD package, the film is unbelievable. I’m working on a documentary about Abel Ferrara as well.”

Sasha @ Club Kristal ,Bucharest , Romania,20/09/2008

Posted in biography, Sasha on 08/07/2008 by ys

Sasha (born Alexander Coe on 4 September 1969), is a Welsh DJ and record producer. Sasha began his career playing acid house dance music in the late 1980s, and became a central figure in the development and popularisation of electronic dance music. He partnered with fellow DJ John Digweed in 1993, touring internationally and producing a series of mixes (compilations of other artists work played in a continuous fashion). Through their track selection and mixing techniques, Sasha and Digweed were instrumental in the evolution of progressive trance and house music.

Sasha has produced multiple UK-charting singles and has remixed tracks for artists such as Madonna and The Chemical Brothers. His remix of Felix da Housecat’s “Watching Cars Go By” earned him a 2004 Grammy nomination. Sasha’s remixing and production often combine electronic music genres, making it difficult for critics to pinpoint his musical style, including on his debut album of original work, Airdrawndagger.

After achieving success as a producer and DJ, Sasha worked with younger DJs and producers such as Brian Transeau and James Zabiela, influencing their musical styles and techniques. His use of live audio engineering equipment helped popularise technological innovations among DJs who formerly relied on records and turntables. Despite the changing trends in electronic dance music, Sasha continues to perform in large dance venues and is currently on an intercontinental tour of large European and United States venues. In 2007, he formed a record label with Renaissance Records called emFire, which will be the exclusive outlet for his new music.

Sasha @ Club Kristal ,Bucharest , Romania,20/09/2008

Posted in 09, 2008, biography, BUCHAREST, Club, Kristal, ROMANIA, Sasha on 08/07/2008 by ys

Sasha (born Alexander Coe on 4 September 1969), is a Welsh DJ and record producer. Sasha began his career playing acid house dance music in the late 1980s, and became a central figure in the development and popularisation of electronic dance music. He partnered with fellow DJ John Digweed in 1993, touring internationally and producing a series of mixes (compilations of other artists work played in a continuous fashion). Through their track selection and mixing techniques, Sasha and Digweed were instrumental in the evolution of progressive trance and house music.

Sasha has produced multiple UK-charting singles and has remixed tracks for artists such as Madonna and The Chemical Brothers. His remix of Felix da Housecat’s “Watching Cars Go By” earned him a 2004 Grammy nomination. Sasha’s remixing and production often combine electronic music genres, making it difficult for critics to pinpoint his musical style, including on his debut album of original work, Airdrawndagger.

After achieving success as a producer and DJ, Sasha worked with younger DJs and producers such as Brian Transeau and James Zabiela, influencing their musical styles and techniques. His use of live audio engineering equipment helped popularise technological innovations among DJs who formerly relied on records and turntables. Despite the changing trends in electronic dance music, Sasha continues to perform in large dance venues and is currently on an intercontinental tour of large European and United States venues. In 2007, he formed a record label with Renaissance Records called emFire, which will be the exclusive outlet for his new music.